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BCC to intensify water rationing

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BY PRAISEMORE SITHOLE

BULAWAYO City Council has extended its water rationing period beyond the published schedule in some parts of the city due to reduced electricity supply to the pump stations.

Town clerk Christopher Dube, said the local authority yesterday started closing water supplies to areas supplied by Magwegwe, Criterion and Tuli reservoirs outside the normal water rationing programme in a bid to normalise the reservoirs

“The City of Bulawayo would like to advice stakeholders and the residents that water supplies have been closed for areas supplied by the Magwegwe, Criterion and Tuli reservoirs outside the normal water rationing programme in a bid to normalise the reservoirs,” Dube said.

“The reservoirs have depleted beyond the critical level due to high consumption levels in the city, pumping challenges as a result of Zesa load-shedding and high temperatures affecting delivery of raw water to the city.”

Last week, Bulawayo mayor Solomon Mguni indicated that raw water buffer level continued to decrease and that power supply challenges and pump breakdowns at Inyankuni and Umzingwane dams were exacerbating water problems.

Mguni said to mitigate the challenges being experienced with regards to water provision, council was engaging Zimbabwe Electricity Transmission and Distribution Company for a solution.
Council advised residents that water rationing remained in force and encouraged them to adhere to stipulated limits to avoid penalties.

“The city is in the process of rehabilitating all broken down boreholes (38) citywide and the contractor is on the ground as of today. The boreholes are expected to assist in augmenting water supply for the residents during this period,” Mguni said.

Govt yet to formally communicate on DIDG contract cancellation

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BY MTHANDAZO NYONI

GOVERNMENT has not yet formally communicated to the Diaspora Infrastructure Development Group (DIDG) concerning the termination of the US$400 million deal meant to revive the National Railways of Zimbabwe (NRZ), an official has said.

Government recently cancelled the US$400 million deal with DIDG-Transnet consortium, claiming the group had failed to comply with contractual timelines as well as to show it had the financial backing to complete the project.

But two weeks since the deal was cancelled, government is yet to inform the affected parties, according to DIDG director of corporate affairs Vimbayi Kanyonganise.

“We have not received any formal communication at all,” Kanyonganise told NewsDay in emailed responses.

The DIDG/Transnet consortium won a bid to partner NRZ in the US$400 million recapitalisation project in August 2017.

The deal involved the rehabilitation and renewal of plant, equipment, rolling stock, signalling and telecommunications infrastructure and the supporting information technology systems.

It also targeted to repair and rehabilitate infrastructure and equipment such as locomotives, wagons and coaches, as well as phased modernisation of train control systems.

Asked how much the company had incurred since negotiations started, Kanyonganise said: “Yes, we have incurred a lot of costs over the past two years, as expected when executing a transaction, but the issue here for us is not about costs incurred but about seeing the project through.”

Commenting on Zimbabwe’s open for business mantra, she said “we are Zimbabweans first, so at the end of the day Zimbabwe will always be open for business for us. It’s important that we can operate in our home country as we only have one.”

Efforts to get a comment from the Ministry of Information, Publicity and Broadcasting Services hit a snag as both the minister Monica Mutsvangwa, her deputy Energy Mutodi as well as permanent secretary Ndavaningi Mangwana did not answer their phones.

DIDG hinted that it could take legal action to challenge the cancellation of the deal.

Sanctions charade: Focus has shifted to the wrong things

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Learnmore Zuze

ThE late former President Robert Mugabe may long have gone, but the man left a lot of pragmatic lessons for politicians and would-be politicians in Zimbabwe.

An intimate look at Mugabe’s brand of politics and the ramifications thereof can patently leave any politician wiser.

Mugabe took over a country that functioned efficiently with an enviable health delivery system, a vibrant education sector and robust agricultural activity that even had Zimbabwe being declared the breadbasket of Africa.

For a time, Mugabe rode on the wave of already set-up systems without many people detecting that something was going wrong. It was at the turn of the century that things really began to show.

Of the things left by the white man, infrastructure included, very little was done to upgrade or at least maintain them. Probably, the best allegory that captures the Zimbabwean story would be that of a man who inherits a brand new spanking Mercedes Benz vehicle. The man starts driving the car as usual, simply ensuring he fuels the car. However, as years go by, the man, whether by default or by design does not find it necessary to take the pricey vehicle for regular maintenance. He neither changes oil filters or anything, but just drives the vehicle until it’s a ramshackle, drawing people’s laughter everywhere it goes.

Tyres haven’t been changed since inheriting the vehicle and the oil becomes supremely dirty, yet somehow the man insisted on running the vehicle, essentially declaring that his ramshackle was gold and some other people want to steal it from him.

For the better part of his rule, Mugabe had utterly failed economically. Failing to give sensible answers to serious questions at the time the man shifted to a default gear, where he cast blame on the European Union and the United States, blaming sanctions for his failures. It became Mugabe’s favourite pastime each time he took to the podium locally or internationally.

Just like what happens even at a personal level, when someone denies responsibility for their problems in life, things do not get any better. Mugabe became probably the most hated man in Zimbabwe’s history when he waged his senseless verbal jousts against America and London.

The man would insult and throw vitriol at these countries at the time, but that did not carry the day for him.

Back home, resentment for him was growing. He even splurged on a “One million-man march” denouncing the British and the Americans and the sanctions, but the unpalatable truth remained that failure to manage the economy was his and not the West’s.

Shifting focus to an external force is a clear signal of haplessness in leadership. Mugabe refused to take responsibility to the end, that he was bailed out by none other than his nemesis, opposition Movement for Democratic Change (MDC) president Morgan Tsvangirai at the formation of the Government of National Unity.

All the kicking and screaming he did at international fora did not yield any change, but brought shame upon his rule. It is definitely a wrong turn once one starts to abdicate responsibility, choosing instead to blame a mythical force for their demise.

The current administration in Zimbabwe ought to learn from Mugabe; the lessons are quite fundamental. Decrying sanctions has never been and will never be a panacea to the crisis in Zimbabwe.

Mugabe gained international notoriety for human rights abuses, torture, harassment and intimidation of government critics.

It was precisely those actions that stoked the fires of global resentment against his rule. Of course, he would clutch at straws and hide behind the land reform façade.

To him, he was being persecuted for taking land from the whites, but this was far from reality. A country gravitates towards being a rogue State the moment it suppresses dissent and victimises opposing views, the very elements that made the DNA of Mugabe’s reign.

The emergence of the MDC was not in itself the cause of Zimbabwe’s troubles, but rather a response to the free-fall of the economy and national disaster that was occurring while people watched.

Like Tsvangirai captures in his autobiography, at first, he thought little of getting into politics, but was indeed thrown into the deep end. The art of shifting blame has never helped humanity from time immemorial.

After making Unilateral Declaration of Independence in 1965, Ian Smith was hit by sanctions; it is even more ironical that the nationalists then, Eddison Zvobgo, as spokesperson in particular, continued to call for sanctions against the Smith regime as it upped its oppression of the locals.

Today, the opposition is denounced left, right and centre for calling for sanctions, the very thing which liberators did against an oppressive government. The Smith story is curious in that, the man managed to hold things together in the face of sanctions. The health systems never took a tumble as we see it today. Roads did not become craters, neither did civil servants lose their sense of worth as we live with today.

The sanctions charade represents chaos and cluelessness. No nation ever progressed while shifting blame on another. Address the atrocious human rights record!

Eddie’s fighting talk

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by sport reporter

Tokyo — Eddie Jones has responded in typically sharp fashion after Wales coach Warren Gatland questioned whether England had played their World Cup final a week early with a stunning victory over champions New Zealand.

Gatland was speaking after Wales had been edged out 19-16 in the second semi-final by South Africa, who will now face England in Yokohama on Saturday in a repeat of the 2007 final.

The Welsh play the All Blacks in the bronze final 24 hours earlier, with Gatland’s last match after 12 years in charge coming against his native New Zealand.

“Well, guys, can you just send my best wishes to Warren to make sure he enjoys the third and fourth place playoff,” England coach Jones told reporters when Gatland’s comments were put to him on Monday.

Meanwhile, the Australian, in charge of the Wallabies side that lost to England in the 2003 World Cup final, delivered a boost to Red Rose hopes of a second global crown by declaring Jonny May had recovered well from the dead leg the wing suffered in a superb 19-7 semi-final win over New Zealand.

The Leicester flyer had been a doubt coming into the All Blacks match because of a hamstring injury and played 45 minutes before leaving the field with a fresh fitness problem.

But a smiling Jones insisted on Monday: “We had a walk-through this morning and we had to tell Jonny to slow down a bit.

“He’s probably in better condition than he was last week at this stage.”

England captain Owen Farrell also suffered a dead leg during an impressive win but finished the game, albeit his injury saw George Ford took over the goal-kicking duties.

“Owen’s a bit sore, but he’ll be fine,” said Jones. “We’ve got a few others carrying bumps and bruises because it was a tough old game.”

Meanwhile, Jones said England could continue to lift the mood of the nation by taking attention away from Brexit with a win over the Springboks.

“It’s great — you give the country something to cheer about and with Brexit at the moment they probably need something to cheer about,” Jones said.

“It’s the job of a team to make the country happy and we’ve made the country happy. Not as happy as they can be because there is still a game to go as we’ve said.”

Meanwhile Jones paid tribute to Willi Heinz after the back-up scrumhalf saw his dreams of playing in a World Cup final crushed by a tournament-ending hamstring injury suffered against New Zealand.

Jones picked just two specialist scrumhalves in his 31-man squad for Japan.
— AFP

Xhaka may lose Arsenal captaincy

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by sport reporter

London — Unai Emery will hold talks with the Arsenal hierarchy before deciding whether Granit Xhaka will remain as club captain, after the Swiss international ripped off the armband, throwing it to the turf, and appeared to tell supporters to “f*** off” as he was substituted.

Xhaka’s fractious relationship with Gunners fans plummeted to new depths yesterday after he responded angrily to criticism from the home crowd during the draw with Crystal Palace.

When asked whether Xhaka would remain captain, Emery said: “It’s not the moment to speak about that because first I want to speak with him and the club. We need to stay calm but, really, he was wrong.”

Xhaka was already unpopular among a significant contingent of fans. Yesterday’s clash, in which he infuriated supporters with a series of angry gestures, did nothing to improve the relationship.

Emery refused to criticise those Arsenal fans who applauded their skipper sarcastically or booed him. Instead, he suggested Xhaka should have dealt with the situation with a cooler head. “We are working, me and the club, to manage playing under pressure, when under pressure to have our minds clear.

“In a difficult moment our heart can be hot, but our minds can be clever. We are going to speak about that because the reaction was wrong.”

Emery said that the discussions would be “inside, with the players and the club”.

He said: ‘We are here because we have supporters. We are the workers inside the club but we play for them. We need to have respect for them when they are applauding us, but also when they are criticising.”

Emery was also critical of the VAR decision to disallow what would have been a late winner for the Gunners.

Sokratis’s goal was ruled out because of a foul by Calum Chambers on Luka Milivojevic. Emery said: “Our goal, the third goal, he is not fouled. That is not a foul. Who is the person who checked that? If the referee watched that action on the TV, I am sure he would not decide that it was a foul.

“In the office with the TV, I don’t know who the person is who decides this. We lost two points to that tonight. We have cameras on the pitch, but here I don’t remember a single referee going to check on the touchline.”

Palace boss Roy Hodgson also had a show of indiscipline from a player. Jordan Ayew was furious when replaced by Christian Benteke in the closing stages.

— Daily Mail

Gohwa’s second album ready

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BY CHELSEA MUSAFARE

AFRO-JAZZ artiste Samson “Droba” Gohwa is set to release his second album titled Tamba Neni soon.

Gohwa told NewsDay Life & Style that the forthcoming 10-track offering, with a bonus track featuring Tryson Chimbetu titled Kandiro, was almost ready.

“I am promising my fans that slowly we are getting there. I know it is not easy to start something new, but my fans should prepare to enjoy,” he said.

The 36-year-old musician said themes in the new production were centred on culture, ubuntu and love.

“The album is all about social issues, culture and how people should live and love each other,” he said.

Gohwa indicated that he would be mixing genres to show how versatile mbira, marimba and ngoma could be.

He said like any other emerging artiste, there were challenges littered along the way.

The new album, he said, is made up of the songs Sorry, Chinyakare, Tamba Neni, Ndinobvuma, Ndisinewe, Mbira, Vapeyi Rudo, Mhere, Ndipe and Kandiro.

Gohwa said there were indications that the duet with Tryson would be a hit after it was pre-released onto the market and welcomed warmly by many fans.

Reading Yeukai Benhura in verse

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Phillip Chidavaenzi

YEUKAI Winnie Benhura’s 2017 slim volume of poems, Undressed, is a somewhat seductive undressing of the meaning of life’s experiences like that of a stripper — slow, teasing and exciting.

The poet starts off with a word study in which she explains the meaning of the title “undressed” and rolls off her pen a list of its synonyms: nude, bare, unclothed, unclad, stripped, denuded, disrobed, undraped and exposed. In the process, she lets slip an example that probably explains the context of the collection, when she writes: “She was undressed and ready for life.”

In this light, one is tempted to believe that it takes some form of “undressing” to be able to see life for what it is and respond accordingly. Undressing, therefore, can speak of experiences as the collection is full of poems that speak of mainly love experiences, the good and the bad. In the foreword, Benhura explains that context in which this offering of poems is poured out, describing these pieces as “mostly less a celebration and lamentation of love.” (pp7).

With the collection divided into three broad sections — Loving Devil, It’s All About Moe and Undressed — all the 27 pieces collected here are untitled. Perhaps the poet wanted to do away with the restrictions that titles often bring, especially if a poem is painted on a broad thematic canvass. The absence of titles easily allows the reader to come up with their own interpretations. I remember speaking to a young emerging poet Robert Mugobi recently, and he was confessing his struggle to craft titles for some of his new poems.

These poems are written with sweet cadence that easily makes them a pleasure to read regardless of some of the dark themes of pain and loss.

Benhura’s creativity is demonstrated right from the beginning. The first poem carries a lot of double meanings. The young persona encounters her Adonis, who is both an attraction and a threat, and so she paints images with double entendre. His eyes are “ravishing”. He wants to “devour” her and to “burn” her with anguish. Pain and pleasure, therefore, are spoken of in the same breath. It is an oxymoronic play on words.

The persona pouts her lips in readiness for a kiss from the one who “will dry out your soul”. This speaks to how people generally struggle to resist the lure of things that will burn their fingers. This man (or is it the devil?) does not even make secret his intentions to “seduce you and make a follower out of you”.

The persona seems to have a weakness for fatal seduction. In the second piece, a terse and compact flash poem, she wonders why she still loves the men who brings her harm, for she quips: “I felt you coming/The wind whispered your name/It warned me/My Armageddon . . . /Why do I still love you so?” (pp.13). This rings true of life, where the lure into harm’s way is often too strong to resist.

The third poem treads on the same path. A woman falls for the wrong man, and “it is like loving the devil”. Biblically, the devil is relentless, and it is the apt metaphor in this poem where this man “Pursues her heart despite her rebuttals/Wearing her down with his charms/Enticing her with gifts and poetry/Promising her the world that he does not own.”

(pp14). Remember during the temptations, how the devil promised Jesus the world if he worshipped him?

If temptations are entertained long enough, then falling is nigh, for soon enough, “she begins to believe her heart when it says he loves her.” The poet juxtaposes images. In this context, it is the devil who holds up this lovesick woman as an idol for worship as his goddess. This is lethal seduction at its worst.

The transient nature of pleasures drawn from yielding to temptation is captured aptly when the poet says the persona continues to yearn for the “devil” long after he has had his feel of her and left: “She stalks him/She nags him/She screams at him/She smoothers him with affection…” (pp14).

In another piece, the persona reflects on the array of men that have paraded across her life. In the aftermath of the long chain of relationships, she lists their names and reminisces on what each has meant for her. Sadly, the verdict is chillingly similar for all as they echo each other: “You who worshipped me for a moment/when I deserved lifetime devotion/You who made me think I was not worthy/yet you were the undeserving.” (pp16) Herein lies the tragedy of desperate love, for it makes one susceptible to abuse — to such a point that a woman believes she is not even deserving of that man who treats her like a doormat

The romance with the devil leads the persona into something like a Catholic confessional in search of absolution from guilt. In another poem, the poet lays out biblical allusions with great effect. We hear of the cleansing waters of the River Jordan, scrubbing salts from the Dead Sea, the incense of Aaron and Samuel’s holy oil.

As the next piece opens with the line, “Loving you is like dancing with the devil”, one begins to get the feeling that all these poems, with the recurring image of the seducing devil, could as well be just different stanzas of one endless poem.

All in all, the collection is a great read that portrays Benhura as a noteworthy poet who cannot be ignored.

Top model reflects on journey

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BY FREEMAN MAKOPA

JEMIMAH Kandemiiri’s arrival on the catwalk was accidental.

For someone who started off as a tomboy in childhood before battling weight issues as she grew up, no one would have imagined that she would showcase her looks on some of the world’s most glitzy runways.

She will represent Zimbabwe at the 59th edition of the Miss International pageant in Japan on November 12.

“I am over the moon! It is such an honour to be representing Zimbabwe. I feel that with everything that has happened in our country, not much is expected from us,” she said.

“My target is to show that Zimbabwe is great and will be even greater again in every engagement. Winning would be great, regardless, there’s a bigger picture. We go for gold and if gold isn’t ours, I walk away with a wealth of knowledge.”

The South Africa-based beauty, who also works as a lawyer and criminologist, felt she was always cut out for the top.

“I was the girl who played soccer… The girl who lost a tooth racing with the boys,” she recalled.

“I started realising how I could do so much more than just taking pictures, posing, looking pretty.”

Then it took a chance meeting with a stranger for her to consider modelling.

“I was home alone and decided to take a walk to a nearby shopping centre. I was approached by a man from Figures Modelling, who said he saw potential in me as a model… I actually laughed at the time because I thought, who? Me?” Kandemirii recalled.

With the negative attitudes towards modelling, she decided to pursue law because of her interests in women’s and children’s rights and, later studied criminology.

Knowledge of legal issues came in handy as she could smell a violation from a distance when she was pursuing modelling.

“I’m glad I trained first before just jumping in, because I knew what was legitimate and what wasn’t, how to check and look up agencies, people involved. Of course some seemed legit and I found myself in situations where some men wanted to take advantage of the situation,” she said.

She said she struggled with weight and did not know how to deal with the issue.

“It’s so inconsistent and I wanted at one point to measure up to it. It was the first and last time I ever worried about weight. I went to a show and a designer’s assistant gave me great talk about my size. I was small at the time. I just didn’t realise how it had affected me until I went on some crazy diet for three weeks so my body could ‘self-tone’ as I was too busy, then to gym.”

The model graduated from Figures SA Modelling and her accolades include Miss Uniworld, Miss Africa Continent princess before her current crown as Miss International Zimbabwe.

Jibilika holds dance workshops

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BY precious chida

JIBILIKA Dance Trust has embarked on a mission to empower young women through dance, as they launched female dance workshops that will kick-off on November 2 at their Harare studios.

Dubbed “Strictly for Girls”, the workshops will be held every Saturday and will be facilitated by musician Jah Prayzah’s main choreographer, Nyasha “Noni” Madzinga.

Jibilika’s community development officer, Mukudzei Nyamhamba, told Newsday Life & Style that the programme sought to address girl child issues.

“We would like to empower young women through dance and we are going to use dance to address girl child issues because we know when you put young people in a room to lecture them, they will probably not listen to what you have to say. Instead, dance is what they would prefer and would probably stay in their minds,” he said.

Nyamhamba said through the initiative they also wanted to do away with the stigma around female dancers in a bid to increase the number of females that venture into the industry.

“The future for female dancers is bright; there are a number of females that are emerging and are standing out in such a male-dominated industry,” he said.

“Because of this, we have to eradicate the stigma that is around dancers, particularly females, and increase platforms for females so that more of them can come on board and follow their dreams.”

Mphoko’s daughter launches YouTube channel

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BY PRAISEMORE SITHOLE

A UNITED Bulawayo Hospital medical doctor, Siduduzo Mphoko-Ndlovu, on Saturday night launched a YouTube channel that will deal with fashion, style and culture.

Former Vice-President Phelekezela Mphoko’s daughter, popularly known as Doctor Bae, said the luxurious fashion channel was necessitated by the need to showcase the country’s luxurious style and culture.

“I am tired of watching other people expose themselves; expose their country and their culture. We are so rich in arts and culture, we are so rich in many things, so it’s time we show them what we are made of here in Bulawayo,” she said.

She said the channel was under the management of Khulekani “Iyanda 263” Ndlovu’s LeFactory, which focuses on premium luxurious brands and provides public relations and marketing services to the elite.

Mphoko-Ndlovu said the channel would cover diverse issues under culture, luxury and style.

“The channel targets everyone and those who love luxury. Luxury is not for everyone you know, as you know some people think it’s too expensive, some are luxurious, but on a budget,” she said.

“We plan and create high fashion events, create platforms for young entrepreneurs in business and host a lot of events to support our luxurious lifestyles.”

LeFactory creative director, fashion consultant and a luxury stylist, Iyanda 263, said they were planning to take fashion and lifestyle in Bulawayo to greater heights.

“We plan to bring a new offering in Bulawayo, take over the fashion and lifestyle industry, grow and create influencer opportunities in the country and hopefully collaborate with brands that will see the influencer market and are willing to pay for their services,” he said.

“It was founded early this year and this is our first event. Mphoko-Ndlovu approached us a few months ago and said she wanted to launch a lifestyle brand and we thought a luxurious YouTube channel would be great to complete her luxurious living.”

He said their aim was to showcase luxurious lifestyles and prove to people that they could be anything they wanted to be.

“When we started, we wanted the channel to support our other platforms and also there are few channels in Zimbabwe that have good quality content and that is what we promised our viewers,” he said.